Tracy K. Smith and Michael Kleber-Diggs

Tulsa 100

May 29, 2021

Black Main Street.

On Being:

The conversation between both of these writers is one that starts in the artistry of their work and includes questions about the imagination, and power, and about what constitutes liberative transformation. And the scope of history they focus on is wide: “These threats we live subject to… are the grotesque and perverse ends to which a nation founded in shame has gone in order to avoid atoning for its crimes.” 

The conversation between both of these writers is one that starts in the artistry of their work and includes questions about the imagination, and power, and about what constitutes liberative transformation. And the scope of history they focus on is wide: “These threats we live subject to… are the grotesque and perverse ends to which a nation founded in shame has gone in order to avoid atoning for its crimes.” -Pádraig Ó Tuama

Tracy K. Smith and Michael Kleber-Diggs — ‘History is upon us… its hand against our back.’

It wasn’t until I saw an episode from The Watchmen that I learned of the 1921 Tulsa Massacre. A dysfunctional childhood took me to 16 schools in nine years, and not one teacher, not one, taught this history. -dayle

https://www.tulsa2021.org

For events in Tulsa, Oklahoma beginning on May 31st follow the link for more information and to join virtually.

Greenwood.

The 1921 Tulsa Race Massacre Centennial Commission will leverage the rich history surrounding the 1921 Tulsa Race Massacre by facilitating actions, activities, and events that commemorate and educate all citizens.

“The projects of the 1921 Tulsa Race Massacre Centennial Commission will educate Oklahomans and Americans about the Race Massacre and its impact on the state and Nation; remember its victims and survivors; and create an environment conducive to fostering sustainable entrepreneurship and heritage tourism within the Greenwood District specifically, and North Tulsa generally.”

“Black Wall Street 100: An American City Grapples with its Historical Racial Trauma, endorsed by the 1921 Tulsa Race Massacre Centennial Commission and the 400 Years of African American History Commission, furthers the educational mission of both bodies. The book offers updates on developments in Tulsa generally and in Tulsa’s Greenwood District specifically since the publication of Hannibal B. Johnson’s, Black Wall Street: From Riot to Renaissance in Tulsa’s Historic Greenwood District.

Black Wall Street 100 is a window into what distinguishes the Tulsa of today from the Tulsa of a century ago. Before peering through that porthole, we must first reflect on Tulsa’s Historic Greenwood District in all its splendor and squalor, from the prodigious entrepreneurial spirit that pervaded it to the carnage that characterized the 1921 massacre to the post-massacre rebound and rebuilding that raised the District to new heights to the mid-twentieth-century decline that proved to be a second near-fatal blow to the current recalibration and rebranding of a resurgent, but differently configured, community.

Tulsa’s trajectory may be instructive for other communities similarly seeking to address their own histories of racial trauma. Conversely, Tulsa may benefit from learning more about the paths taken by other communities. Through sharing and synergy, we stand a better chance of doing the work necessary to spur healing and move farther toward the reconciliation of which we so often speak.” [Amazon]

What’s past is prologue.

-William Shakespeare

Clean Web Design