Confederate

Nothing has changed. Nothing.

August 4, 2017

Detroit.

The summer of love.

1967.

‘The Lost Cause Rides Again’

“HBO’s Confederate takes as its premise an ugly truth that black Americans are forced to live every day: What if the Confederacy wasn’t wholly defeated?”

A promotional poster for D.W. Griffith’s The Birth of a NationGetty Images
Ta-Nehisi Coates
8.4.17

Nazi Germany was also defeated. But while its surviving leadership was put on trial before the world, not one author of the Confederacy was convicted of treason. Nazi Foreign Minister Joachim von Ribbentrop was hanged at Nuremberg. Confederate General John B. Gordon became a senator. Germany has spent the decades since World War II in national penance for Nazi crimes. America spent the decades after the Civil War transforming Confederate crimes into virtues. It is illegal to fly the Nazi flag in Germany. The Confederate flag is enmeshed in the state flag of Mississippi.

The symbols point to something Confederate’s creators don’t seem to understand—the war is over for them, not for us. At this very hour, black people all across the South are still fighting the battle which they joined during Reconstruction—securing equal access to the ballot—and resisting a president whose resemblance to Ande Johnson is uncanny. Confederate is the kind of provocative thought experiment that can be engaged in when someone else’s lived reality really is fantasy to you, when your grandmother is not in danger of losing her vote, when the terrorist attack on Charleston evokes honest sympathy, but inspires no direct fear. And so we need not wait to note that Confederate’s interest in Civil War history is biased, that it is premised on a simplistic view of white Southern defeat, instead of the more complicated morass we have all around us.

[…]

African Americans do not need science-fiction, or really any fiction, to tell them that that “history is still with us.” It’s right outside our door. It’s in our politics. It’s on our networks. And Confederate is not immune. The show’s very operating premise, the fact that it roots itself in a long white tradition of imagining away emancipation, leaves one wondering how “lost” the Lost Cause really was.

[Full article in The Atlantic]

https://www.theatlantic.com/entertainment/archive/2017/08/no-confederate/535512/?utm_source=nl-atlantic-weekly-080417

[And this. From Jimmy Fallon, Mon., Aug. 7th – – “It Ain’t Fair” from ‘Detroit’.]

http://www.rollingstone.com/music/news/watch-the-roots-incendiary-it-aint-fair-on-fallon-w496518

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