Black Americans

Sacrifice. 🕊

May 31, 2021

Memorial Day 2021

‘Lasting peace requires its active and systematized cultivation at every level of government and society.’

-Marianne Williamson

Thinking today of the Black Americans who returned from WW’s I and II only to be met with deeper segregation, violence and lynchings. -dayle




Targeting Black Veterans

Lynching in America

Read the report

Inspired to defend their country and pursue greater opportunity, African Americans have served in the U.S. military for generations. But instead of being treated as equal members of society upon their return from military service, thousands of Black veterans were accosted, attacked, or lynched between the end of the Civil War and the post-World War II era.

During the late 19th and early 20th centuries, white supremacy remained law and custom throughout the nation, and many whites feared that Black soldiers who had experienced the pride of military service would resist the disenfranchisement, segregation, and second-class citizenship that still characterized the African American experience. In August 1917, U.S. Senator James Vardaman of Mississippi warned that, once a Black soldier was allowed to see himself as an American hero, it would be “but a short step to the conclusion that his political rights must be respected.” Bringing Black soldiers home to the South with expectations of equality, he predicted, would “inevitably lead to disaster.”


From professor and author Timothy Snyder:

“This one, from Polish, is about trauma, so I thought it might be fitting for May 31st, which in the United States is Memorial Day.”

‘After the Storm’ by Maria Konopnicka, from 1902.

[“The titular storm is never actually described. It is between the stanzas, in the past.”]

Oh lord, who grants to his world the rainbow

Who lifts to bent flowers a cup from below

Who unfolds the wings of the chick in the nest

Who purples the clouds that escape to the west

By morning the village is free from all care

Here an apple tree’s tended, a roof repaired there

And ere the young dawn can cast its first light

The good country folk have forgotten their fright

Oh lord, who every last trace of discord

Erases from earth by a merciful word

And stills forest’s fierce cry and ocean’s low moan

In the all-quiet heavens where you have your throne

Yet to the wrecked human heart, shattered by storm

Instead of the peace of the spectrum’s calm glow

You give endless thunder without sound or form

Echoes of storms past, memory’s woe.

Konopnicka is out of fashion now, even in Poland.  The painting by Józef Chełmoński, of the same era (1896), reminds us of the sensibility.

“There is something sharp here: the confession in the last stanza. Her brave point is that a conceit of art, that nature expresses the soul, that outer appearances reveal inner experiences, is false.  A storm means one thing in nature, and another inside a person.

So this is a poem about trauma that acknowledges God, but as something other than consolation.  God and nature are on one side, and the person is on the other. The poem is not hopeless, though: by placing her predicament beyond God and nature, Konopnicka is taking responsibility for defining it herself.  She does so, I think, rather beautifully.”

[Posted on Twitter by Jonathan Reiner: “Omaha Beach Saint-Laurent-sur-Mer, France.”]

This day.

September 24, 2016

The Smithsonian National Museum of African-American History and Culture opens today in Washington DC.


“Speaking on Friday, Mr Obama said the new museum would educate Americans about the history of the racial tensions seen during protests over police killings of black men.

“As a people, we’ve rightfully passed on the tales of the giants who built this country,” Mr Obama said during his weekly address to the American people.

“But too often, wilful or not, we’ve chosen to gloss over or ignore entirely the experience of millions upon millions of others.” He added: “And so it is entirely fitting that we tell this story on our National Mall, the same place we tell the stories of [President George] Washington and [President Thomas] Jefferson and our independence.”

The bronze-coloured museum, designed by British architect David Adjaye, is located on Washington’s National Mall – not far from the White House.

It contains 36,000 items, ranging from trade goods used to buy slaves in Africa to a segregated railway car from the 1920s and a red Cadillac convertible belonging to rock’n’roll pioneer Chuck Berry.

Black veterans of the US Civil War first proposed an African-American museum in 1915.

However, it was not until 2003 that Congress approved its creation. Construction of the 37,200 sq m building took almost four years.”



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