PBS

Past and Present. A community dialogue.

February 21, 2021

To understand the world knowledge is not enough, you must see it, touch it, live in its presence.

—Teilhard de Chardin, Hymn of the Universe

The American Lie.

No. Not the election.

The big lie in the United States is racism only effects people of color.

Heather McGhee’s book is brilliant. She is brilliant. Her book is incredibly researched and synthesized. A must read book for every journalist, politician, policy creator, and student. Actually, you know what? Everyone should read Heather’s book. And she speaks like she writes, clearly, foundationally, and directly. We need to listen. -dayle

NPR/Fresh Air

The heart of McGhee’s case is that racism is harmful to everyone, and thus we all have an interest in fighting it. Drawing on a wealth of economic data, she argues that when laws and practices have discriminated against African Americans, whites have also been harmed. When people unite across racial and ethnic lines, she argues, there’s a solidarity dividend that helps everyone.

Heather McGhee is the former president of the progressive think tank Demos, where she spent much of her career. She holds a BA in American Studies from Yale and a law degree from the University of California, Berkeley. She currently chairs the board of Color of Change, a nationwide online racial justice organization. Her new book is “The Sum Of Us: What Racism Costs Everyone And How We Can Prosper Together.”

Heather McGhee:

This to me is really the kind of parable at the heart of the book. It’s what’s illustrated on the cover. In the 1920s, ’30s and ’40s, the United States went on a building boom of these grand resort-style swimming pools. These were the kind that would hold hundreds, even thousands, of swimmers. And it was a real sort of Americanization project. It was to create a, like, bath-temperature melting pot of, you know, white ethnic immigrants and people in the community to come together. It was sort of a commitment by the government to a leisure-filled American dream standard of living. And in many of these public pools, the rule was that it was whites only, either officially or unofficially. And in the 1950s and ’60s when Black communities began to, understandably, say, hey, it’s our tax dollars that are helping to support this public good, we need to be allowed to swim, too, all over the country, particularly in the American South but in other places as well, white towns facing integration orders from the courts decided to drain their public swimming pools rather than let Black families swim, too.

Now, I went to Montgomery, Ala., where there used to be one of those grand resort-style pools and where effective January 1, 1959, not only did they back a truck up and pour dirt into the pool and pave it over, but they also sold off the animals in the municipal zoo. They closed down the entire parks and recreation department of Montgomery for a decade. It wasn’t until almost 1970 that they reopened the park system for the entire city. And I walked the grounds of Oak Park. Even after they reopened it, they never rebuilt the pool. And that, to me, felt like this just tangible symbol of the way that a population taught to distrust and disdain their neighbors of color will withdraw from public goods when they no longer see the public as good.

Interview with Dave Davies on NPR:

https://www.npr.org/2021/02/17/968638759/sum-of-us-examines-the-hidden-cost-of-racism-for-everyone

The Daily Show with Trevor Noah

“The Sum of Us,” and underlines the importance of having honest conversations about past and present racism at a community level.

Ezra Klein/NYTimes

What ‘Drained-Pool’ Politics Costs America

I asked McGhee to join me on my podcast, “The Ezra Klein Show,” for a discussion about drained-pool politics, the zero-sum stories at the heart of American policymaking, how people define and understand their political interests, and the path forward. This is, in my view, a hopeful book, and a hopeful conversation. There are so many issues where the trade-offs are real, and binding. But in this space, there are vast “solidarity dividends” just waiting for us, if we are willing to stand with, rather than against, each other.


Also from the NYTimes.

opinion

The book That Should Change How Progressives Talk About Race

Heather McGhee writes that racism increases economic inequality for everyone.

by Michelle Goldberg

McGhee’s book is about the many ways racism has defeated efforts to create a more economically just America. Once the civil rights movement expanded America’s conception of “the public,” white America’s support for public goods collapsed. People of color have suffered the most from the resulting austerity, but it’s made life a lot worse for most white people, too. McGhee’s central metaphor is that of towns and cities that closed their public pools rather than share them with Black people, leaving everyone who couldn’t afford a private pool materially worse off.

One of the most fascinating things about “The Sum of Us” is how it challenges the assumptions of both white antiracism activists and progressives who just want to talk about class. McGhee argues that it’s futile to try to address decades of disinvestment in schools, infrastructure, health care and more without talking about racial resentment.

[…]

“Communicators have to be aware of the mental frameworks of their audience,” McGhee told me. “And for white Americans, the zero-sum is a profound, both deeply embedded and constantly reinforced one.”

This doesn’t mean that the concept of white privilege isn’t useful; obviously it describes something real. “What privilege awareness does, at its best, is reveal the systematic unfairness, and lift the blame from the victims of a corrupt system,” McGhee said. “However, I think at this point in our discourse — also when so many white people feel deeply unprivileged — it’s more important to talk about the world we want for everyone.”


Center for Action and Contemplation in Albuquerque, New Mexico.

Theologian Howard Thurman, from Walter Brueggemann, The Message of the Psalms: A Theological Commentary [1984].

Thurman takes what is personal and makes it universal. Walter Brueggemann calls this “the scandal of particularity.” [1] We “get it” in one ordinary, concrete moment and wrestle and fall in love with it there. It’s a scandal precisely because it’s so ordinary. What is true in one place finally ends up being true everywhere.

From Barbara Holmes and her lecture Race and the Cosmos, unpublished Living School curriculum.

As I considered it, the truth of the matter was that we were living within an old story; and a new story needed to be told, but we didn’t have the language for it.  

The old story was of victimization, marginalization, oppression, oppressors; and the new story would see all of us evolving, self-expanding, and finding a new place in this wonderful cosmology that is a reality we have not paid attention to. So, in order to get to that point—and here is where my transformation begins—I had to reconsider what I thought about people, because I had hardened my view of others and who they were and what they meant. I had spent my time raising two little African American boys who had to be taught how to survive in society. In doing that, I taught them to view the world in only one way; and I myself was hardened into a position that either you were with me or you were against me or us. 

All of that had to change. I had to begin to think of us as spiritual beings having a human experience, and not bodily, embodied folks without spirit or soul. . . . That’s a very limited view of humankind, and I wanted to expand the story. . . . 

The physics and cosmology revolution that is 100 years old has not been translated into the ordinary world of any of us, and specifically not in communities of color. The world that scientists describe now is so different than the world that I grew up in or even imagined. According to physicists, this is what the world is like: it is a universe permeated with movement and energy that vibrates and pulses with access to many dimensions. . . . We are all interconnected, not just spiritually or imaginally, but actually . . . and the explicate [or manifested] order that’s all around us makes us think that we’re separate. Finally, I learned that ideas of dominance are predicated on a Newtonian clockwork universe. So, like dominoes, you push one and they all fall down, and everything is in order. But quantum physics tells us that the world is completely different. Particles burst into existence in unpredictable ways, observations affect the observed, and dreams of order and rationality are not the building blocks of the universe. 


A compilation piece: 2-part documentary on PBS, The Black Church: This Is Our Story, This Is Our Song, from executive producer, host, and writer Henry Louis Gates, Jr.

It traces the 400-year-old story of the Black church in America, all the way down to its bedrock role as the site of African American survival and grace, organizing and resilience, thriving and testifying, autonomy and freedom, solidarity and speaking truth to power.

It is now available online.

https://www.pbs.org/show/black-church/


Cicely Tyson December 19, 1924 – January 28, 2021

Kennedy Center Honors, December 2015.

PBS/Journalism Deserts

December 16, 2019

The danger of losing local news.

Over the last 15 years, local newspapers across the U.S. have lost more than $35 billion in advertising revenue and half of their staffs, while at least 2,000 news outlets have shuttered during that time, according to a new study by the non-profit PEN America. Viktorya Vilk, who co-authored the report, joins Hari Sreenivasan to discuss how the decline of local news is impacting civic engagement.

https://www.pbs.org/newshour/show/growing-local-news-deserts-endanger-democracy-study-finds?utm_source=twitter&utm_medium=pbsofficial&utm_campaign=newshour

Visceral and immersive.

September 4, 2017

“The Vietnam War,” a 10-part, 18-hour documentary by Ken Burns and Lynn Novick, premieres on PBS on Sunday, Sept. 17. 

There are more Vietnamese voices “The Vietnam War” than Burns at first thought necessary. … It has animated three-dimensional maps and foreign-language interviews. There’s rock music, as well as a score commissioned from Trent Reznor and Atticus Ross; Erik Ewers, a longtime editor at Florentine, who has worked on dozens of hours of film chivvied along by ragtime and bluegrass, told me, with feeling, that the opportunity to use “Dazed and Confused,” by Led Zeppelin, was “a dream come true.”

The film includes striking sequences in which well-known black-and-white photographs, always central to Burns’s work, coëxist with color film and color photography. The subject, being recent and contested—and its traumas sometimes evident in the stiffness around the mouths of witnesses—has its own narrative potency. … Still, when the narration begins, its liturgical phrasing, and its reach for a negotiated settlement among viewers, will seem familiar.

[The New Yorker’s Ian Parker]

In “Ken burns Tackles a Different Civil War,” N.Y. Times ideas reporter Jennifer Schuessler says the film “offers an uncannily well-timed reflection of our current societal fractures — a kind of origin story for the culture wars.”

  • “The $30 million film, more than 10 years in the making, offers an intensely immersive, often head-spinning history lesson, combining grand sweep and archival depth with sometimes devastatingly emotional first-person interviews with people from all sides (including more than two dozen Vietnamese, from both the winning and losing sides).”
  • “There are scenes covering 25 battles, 10 of which are examined from multiple perspectives.”
  • Every word of the script, written by the historian Geoffrey C. Ward, was carefully weighed. And perhaps none were as carefully debated as that opening narration, which describes the war as ending in ‘failure’ (not ‘defeat,’ Mr. Burns noted, though he used the word himself). ‘I think we probably spent six months on the word ‘failure.'”
  • “As for ‘begun in good faith,’ Mr. Burns said he stands by those words, which he said reflect the intentions of those who fought the war, even if they are perhaps ‘too generous’ to our leaders.”
  • Worth the click: “Shot by Shot: Building a Scene in Ken Burns and Lynn Novick’s Vietnam Epic.”

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