At the Trinitarian level, God is a verb more than a noun, God is a flow more than a substance, God is an experience more than a deity sitting on a throne. And we live naturally inside that flow of love—if we do not resist it.
Everything is attracted to everything: life is attracted to life; love is attracted to love; God in you is attracted to God in everyone and everything else. This is what it means for everything to be created in the image of God (Genesis 1:26-27).
Once we allow the entire universe to become alive for us, we are living in an enchanted world. Nothing is meaningless; nothing can be dismissed. It’s all whirling with the same beauty, the same radiance. In fact, if I could name the Big Bang in my own language, I’d call it the Great Radiance.
The inner radiance of God started radiating at least 13.8 billion years ago. We must realize that we are the continuation of that radiance in our small segment of time on Earth. We can either allow it and let the Trinitarian Flow flow through us or we can deny it, which is to deny the divine image.
This is nothing I can prove to you. This is nothing I can make logical or rational. It can only be known experientially in the mystery of love when you surrender yourself to it, when you grant subjectivity or a blessed I-Thou relationship to every other thing—a plant, an animal, a single tree, the big blue sky, “Brother Sun, Sister Moon” [Father Francis of Assisi].
-Richard Rohr, Center for Action & Contemplation
Massive Woodstock Box Set Planned for August
Massive 38-disc box includes nearly every note of music played during the festival’s three days in 1969 – but assembling old tapes and having musicians sign off 50 years later was a daunting task.
Yeah, but. It’s $799. Although, there’s a guitar strap.
“The box — which will also include a Blu-ray of Michael Wadleigh’s Woodstock movie, a guitar strap and a replica of the original program, among other items — will cost $799. More condensed versions — a 10-disc set and a 3-disc one — will also be available. In the mega-box, the 38th disc includes various audio flotsam. The “Groesbeek Reel,” named after festival sound recordist Charles Groesbeek, includes comments from random attendees taped by Grosbeak–like, Zax laughs, “this one guy moaning about what a disappointing experience it was and that it was a sell-out. It’s a great slice of real people in the moment reacting to it, which pleases me immensely.”
“Complete performances of the Who, Joe Cocker, Sly and the Family Stone, Crosby, Stills, Nash & Young, and others, along with acts who weren’t in the movie or the original Woodstock album, like the Band, the Grateful Dead, Creedence Clearwater Revival and Janis Joplin will be available for the first time. The tracks are also arranged chronologically, by day and set times, from Richie Havens’ opening set that August Friday in 1969 to Jimi Hendrix’s festival-closing set on Monday morning. To ease the overwhelming listening experience, each act is accorded its own disc.”
“There have been large boxed sets devoted to particular eras or tours — the Grateful Dead do a great job of that sort of thing — but there’s never, to my knowledge, been an attempt to present a large-scale durational experience of this sort,” says Andy Zax, the Los Angeles producer and archivist who co-produced the set with Steve Woolard. “The Woodstock tapes give us a singular opportunity for a kind of sonic time travel, and my intention is to transport people back to 1969. There aren’t many other concerts you could make this argument about.”