Lawrence Ferlinghetti passed this week. He was 101. [1919-2021]
Ferlinghetti was a publisher, poet, and bookseller in San Francisco, publishing the controversial “Howl” by Allen Ginsburg that embraced and argued for our First Amendment rights.
F R E E D O M O F S P E A C H
‘Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!’
From Jelani Cobb: “Not many people can say they both built an institution and become one.”
“There is a voice that doesn’t use words, listen.” -Rumi
It was in Ferlinghetti’s passing this week I gravitated to a film exemplifying the ‘kindness of the soul.’ Incredible filmmaking. ‘Nomadland’ [Hulu]. Here’s the trailer:
“What’s remembered, lives. I maybe spent too much of my life just remembering.”
This film broke me about seven different ways; it is extraordinary. It is beautifully written, directed, edited, and produced by Chloé Zhao.
[Frances McDormand and director Chloe Zhao.]
The film stars Francis McDormand and actor David Strathairn has a role, too. Remarkably and seamlessly, Zhao uses real folks to tell the story, their story, of the ‘workampers.’ They will find your heart, and stay.
The impetus for the film came from a Harper’s Magazine article by Jessica Bruder, “The End of Retirement: When you can’t afford to stop working,” published in 2014.
Later, Bruder would drive more than 15,000 miles in the camper van on a mission to follow the wanderers who would become the stars of her 2017 book “Nomadland: Surviving America in the Twenty-First Century.”
See it. Share it. And maybe, even live it.
“Energy is like a muscle; it grows when we use it. We grow in our capacity to do the right thing each time we do the right thing.” -Rolph Gates
There is an expectation that the pandemic to create more nomads with an interest in the van-dwelling surge after the 2008 crisis, hardly letting up. Cost of housing being one major factor, but suggests another: disillusionment and dissatisfaction — with the American Dream and the evaporation of pensions. “The golden years were not going to be golden.”
“Nomadland” is nominated for four Golden Globes on Feb. 28: best picture, director, screenplay and actress, and is a strong contender for the Oscars in April.
[Photo: Regina H. Boone]
“If you want to bring in different perspectives, you’ll have a different culture & different environment that will lead you to make different decisions.”
James Bennet, recently resigned opinion editor for the NYTimes, representing collective White privilege patriarchy…father, Douglas Bennet, former NPR Director/Wesleyan University president and part of both the Carter & Clinton administrations, and brother, Michael Bennet, U.S. Senator and former U.S. Presidential candidate. -dayle
A copy of the December 23, 2018, edition of the New York Times.Robert Alexander/Getty Images
America is changing, and so is the media
The media has gone through painful periods of change before. But this time is different
There have always been boundaries around acceptable discourse, and the media has always been involved, in a complex and often unacknowledged way, in both enforcing and contesting them. In 1986, the media historian Daniel Hallin argued that journalists treat ideas as belonging to three spheres, each of which is governed by different rules of coverage. There’s the “sphere of consensus,” in which agreement is assumed. There’s the “sphere of deviance,” in which a view is considered universally repugnant, and it need not be entertained. And then, in the middle, is the “sphere of legitimate controversy,” wherein journalists are expected to cover all sides, and op-ed pages to represent all points of view.
The media’s week of reckoning
Last week, the New York Times op-ed section solicited and published an article by Sen. Tom Cotton (R-AR) arguing that the US military should be deployed to “restore order to our streets.” The piece set off an internal revolt at the Times, with staffers coordinating pushback across Twitter, and led to the resignation of James Bennet, the editor of the op-ed section, and the reassignment of Jim Dao, the deputy editor.
That same week, Stan Wischnowski, the top editor of the Philadelphia Inquirer, resigned after publishing an article by the paper’s architecture critic titled “Buildings Matter, Too.” David Boardman, the chair of the board that controls the Inquirer, said Wischnowski had done “remarkable” work but “leaves behind some decades-old, deep-seated and vitally important issues around diversity, equity and inclusion, issues that were not of his creation but that will likely benefit from a fresh approach.”
One interpretation of these events, favored by frustrated conservatives, is that a generation of young, woke journalists want to see the media remade along activist lines, while an older generation believes it must cover the news without fear and favor, and reflect, at the very least, the full range of views held by those in power.
“The New York Times motto is ‘all the news that’s fit to print,’” wrote the Times’s Bari Weiss. “One group emphasizes the word ‘all.’ The other, the word ‘fit.’”
Another interpretation is that the range of acceptable views isn’t narrowing so much as it’s shifting. Two decades ago, an article like Cotton’s could easily be published, an essay arguing for abolishing prisons or police would languish in the submissions pile, and a slogan like “Black Lives Matter” would be controversial. Today, Black Lives Matter is in the sphere of consensus, abolishing prisons is in legitimate controversy, and there’s a fight to move Cotton’s proposal to deploy troops against US citizens into deviance. The idea space is just as large as it’s been in the past — perhaps larger — but it is in flux, and the fight to define its boundaries is more visible.
“Those are political decisions,” says Charles Whitaker, dean of the Medill School of Journalism. “They are absolutely governed by politics — either our desire to highlight certain political views or not highlight them, or to create this impression that we’re just a marketplace of ideas.”
The media is changing because the world is changing
- First, business models built around secure local advertising monopolies collapsed into the all-against-all war for national, even global, attention that defines digital media.
- Second, the nationalization of news has changed the nature of the audience. The local business model was predicated on dominating coverage of a certain place; the national business model is about securing the loyalties of a certain kind of person.
- Third, America is in a moment of rapid demographic and generational change. Millennials are now the largest generation, and they are far more diverse and liberal than the generations that preceded them.
- Fourth, the rise of social media empowered not just the audience but, crucially, individual journalists, who now have the capacity to question their employer publicly, and alchemize staff and public discontent into a public crisis that publishers can’t ignore.
The media prefers to change in private. Now it’s changing in public.
The news media likes to pretend that it simply holds up a mirror to America as it is. We don’t want to be seen as actors crafting the political debate, agents who make decisions that shape the boundaries of the national discourse. We are, of course. We always have been.
“When you think in terms of these three spheres — sphere of consensus, of legitimate debate, and of deviancy — a new way of describing the role for journalism emerges, which is: They police what goes in which sphere,” says Jay Rosen, who teaches journalism at NYU. “That’s an ideological action they never took responsibility for, never really admitted they did, never had a language for talking about.”
“Organizations that have embraced the mantra that they need to diversify have not as quickly realized that diversifying means they have to be a fundamentally different place,” says Jelani Cobb, the Ira A. Lipman professor at the Columbia Journalism School and a staff writer at the New Yorker. “If you want to bring in different perspectives, you’ll have a different culture and different environment that will lead you to make different decisions.”