To bridge to the chasms of ‘siloed’ ideologies and the echo chambers of polarized media, if we open our hearts to listen, deeply listen, and connect empathy, I believe we will bridge the chasms when we discover shared foundational common values for people and democracy. We the people.
“In this time of dire need for “a revelation in the heart,” when the values of democracy are continually misconstrued and misused, Cohen’s immortal words come to life in a beautiful short film — part tribute to Cohen, part fundraiser for Pen America, part public service to lift the human spirit, narrated by Neil Gaiman, with music by Amanda Palmer and gorgeous watercolor art by David Mack and Olga Nunes.
“In this compelling hybrid of memoir and sociological analysis, Vance digs deep into his upbringing in the hills of Jackson, Ky., and the suburban enclave of Middletown, Ohio. He chronicles with affectionâand raw candorâthe foibles, shortcomings, and virtues of his family and their own attempts to live their lives as working-class people in a middle-class world. […] Vance observes that hillbillies like himself are helped not by government policy but by community that empowers them and extended family who encourages them to take control of their own destinies. Vance’s dynamic memoir takes a serious look at class.”
In the many year Stacy Krantiz has been documenting life in Appalachia—as seen in her ongoing project As it was Give(n) to Me—she has deftly navigated the minefield that comes with photographing in this often misrepresented part of the county. At least since Let Us Now Praise Famous Men, the 1941 book by writer James Agee and photographer Walker Evans* that chronicled the lives of poverty-stricken sharecroppers in the South, residents have rightfully complained about how outsiders have portrayed them in photographs—nothing short of a kind of visual openmouthed gawking and pointing. By living with her subjects, Krantiz challenges and plays with common stereotypes of the beautiful hill region of southern Ohio, West Virginia, and eastern Kentucky. Kranitz’s photos show her living it up with the subjects of her photos, deeply embedded, fully embraced, sometimes even appearing in the images herself. She photographs as a member of the family, showing the good and the beautiful, along with the bad and the ugly. Nothing to hide.
For additional perspective, watch Rory Kennedy’s poignant documentary, “American Hollow”. It is the story of one Appalachian family living in a hallow of Kentucky for seven generations. Kennedy chronicles their lives for one year.